Diana Shpungin, In Through The Out (Diptych), 2022
hand-applied graphite pencil on cast cotton, with hand-made abaca paper on wood, and marble stones
32 x 86 x 80 inches
Two paper cast doors, with detailed wood grain graphite pencil drawings, are placed precariously in a mirrored configuration on a pile of marble rocks, reflecting positive/negative space, as if one fell away from the other. A moment is implied, denoting a drastic change, a point of no return, a crossing of a threshold.
photography: Etienne Frossard